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These things are amazing! The first time I bought them I was nervous when I saw all the directions, but they're actually really easy to install - you just need to be willing to wait a day while they bond to the wall before you hang anything. They are extremely secure, and the velcro style lends itself to redecorating fairly easily (as long as you don't mind things in the same spots). They were nice too when I moved, all of my pictures were still ready to hang, I just needed to use a half-set of these and I was good to go! Be careful when removing them from the wall though! I was impatient while taking down the last of them during my move and I pulled them away from the wall (instead of down as instructions indicate) and ended up peeling some paint.
Excellent!! Well written. Story hooks you from the get go. Never a dull moment. I'd like to see more stories with these characters.
I have used this software for the past few years and have no complaints. It is easy and straightforward with fortunately no surprises. I don't know how it would work for a more complex filing since mine is relatively simple.
When MakeMusic's Finale software comes to mind, I get that fetid feeling in my stomach that is likened to the caste of thoughts including the Internal Revenue Service, Comcast's Customer Support, and distant family reunions. The most charitable adjective I can, in good conscience, use to describe Finale is "necessary". And, at its best, that's what Finale is. Composing and arranging music is intended to be arrestingly thrilling - a joyous activity. Finale does to that past time what your dog desires to do in your flower bed once every afternoon. Every new update consciouslessly desecrates music by disgracing our professional field with its unrelenting ability to retain every bug, glitch, and shortcoming as the preceding edition. All while being offensively overpriced and guilefully obsolete with your next OS update. Only Finale compensates your four to six hundred dollars with same technical blunders you experienced half a decade prior. Astonishing is it that, forty five years after computers more primitive than most graphing calculators exactingly landed man on the moon, we cannot design a program that notates music. This software is a stain on my hard drive. A blemish on my desktop. And yet, there seems to be no superior product. To recommend that we, as professionals, stop using Finale would be to undermine the music trade itself by removing the staple Finale has become. We've arrived at an impasse until a better option comes along. Until then, I'll continue to use Finale. But I'll do so with the same demeanor with which I continue to pay the IRS, remain on hold with Comcast, and eat my butternut squash casserole at the next family reunion.